THE SIGNIFICANCE OF CENTRAL ASIAN CALLIGRAPHY SCHOOLS IN THE DEVELOPMENT OF THE ART OF CALLIGRAPHY

Authors

  • Kalbaeva Maftuna National Intitute of Fine Arts and Design, named after Kamoliddin Bekhzad, Tashkent, Uzbekistan

DOI:

https://doi.org/10.55640/eijp-04-12-06

Keywords:

Central Asian, calligraphy, painting

Abstract

This article describes in detail the schools of calligraphy that flourished from the 14th to the 20th century, the great calligraphers and great scientists who contributed to the creation of these schools. The works of representatives of each school were analyzed from the point of view of art history.

References

Muradov A. “From the history of Central Asian calligraphy.” - Tashkent, 1971.

History of the period of Timur and Ulugbek.T. Komuslar Chief Editorial Office. 1996.

“The works of Alisher Navoi in the masterpieces of literary art of the 15th-16th centuries”. “Silk road media”, “East star media” Tashkent. 2020.

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Published

2024-12-11

How to Cite

Kalbaeva Maftuna. (2024). THE SIGNIFICANCE OF CENTRAL ASIAN CALLIGRAPHY SCHOOLS IN THE DEVELOPMENT OF THE ART OF CALLIGRAPHY. European International Journal of Pedagogics, 4(12), 30–39. https://doi.org/10.55640/eijp-04-12-06

Issue

Vol. 4 No. 12 (2024): Volume - IV Issue - XII

Section

Articles

License

Copyright (c) 2024 Kalbaeva Maftuna

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Individual articles are published Open Access under the Creative Commons Licence: CC-BY 4.0.