Harmony As A Dynamic Principle Of Literary Language Organization

Abstract

The article describes harmony as a dynamic principle of literary language organization, conceptualizing it not as a static aesthetic ideal but as an evolving structural and semantic process within literary discourse. Drawing on linguistic, stylistic, and metapoetic methodologies, the research examines how harmony emerges through the interaction of narrative voice, lexical choice, syntactic structure, and semantic layering. Special attention is paid to the role of dialogism, intertextuality, and cultural context in shaping harmonious literary expression. The study demonstrates that literary harmony is achieved through the productive tension between unity and diversity, stability and transformation, tradition and innovation. Rather than eliminating contradictions, harmony integrates them into a coherent artistic system. This dynamic model allows literary language to remain flexible, adaptive, and capable of reflecting complex human experience. By analyzing representative examples from Russian narrative prose, the research reveals how linguistic harmony functions as a key organizing principle that ensures aesthetic integrity, communicative effectiveness, and philosophical depth.