
The Concept Of "Socialist Realism" As A Universal Method
Abstract
This article explores the concept of socialist realism as a universal method of artistic representation, officially established in the Soviet Union during the 1930s. It examines the ideological foundations, aesthetic principles, and implications of its proclaimed universality across various art forms. The article also discusses the limitations and transformations of the method, particularly in the context of its post-Soviet reevaluation.
Keywords
Socialist realism, method, ideology
References
Clark, K. (2000). The Soviet Novel: History as Ritual. Indiana University Press.
Dobrenko, E. (2007). Political Economy of Socialist Realism. Yale University Press.
Lahusen, T., & Dobrenko, E. (Eds.). (1997). Socialist Realism Without Shores. Duke University Press.
Groys, B. (1992). The Total Art of Stalinism. Princeton University Press.
Paperny, V. (2002). Architecture in the Age of Stalin: Culture Two. Cambridge University Press.
Article Statistics
Copyright License
Copyright (c) 2025 Paigamov Bakhtiyor Zhamolidddinovich

This work is licensed under a Creative Commons Attribution 4.0 International License.
Individual articles are published Open Access under the Creative Commons Licence: CC-BY 4.0.