The Concept Of "Socialist Realism" As A Universal Method

Authors

  • Paigamov Bakhtiyor Zhamolidddinovich Termez State Pedagogical Institute, Uzbekistan

DOI:

https://doi.org/10.55640/eijmrms-05-05-24

Keywords:

Socialist realism, method, ideology

Abstract

This article explores the concept of socialist realism as a universal method of artistic representation, officially established in the Soviet Union during the 1930s. It examines the ideological foundations, aesthetic principles, and implications of its proclaimed universality across various art forms. The article also discusses the limitations and transformations of the method, particularly in the context of its post-Soviet reevaluation.

References

Clark, K. (2000). The Soviet Novel: History as Ritual. Indiana University Press.

Dobrenko, E. (2007). Political Economy of Socialist Realism. Yale University Press.

Lahusen, T., & Dobrenko, E. (Eds.). (1997). Socialist Realism Without Shores. Duke University Press.

Groys, B. (1992). The Total Art of Stalinism. Princeton University Press.

Paperny, V. (2002). Architecture in the Age of Stalin: Culture Two. Cambridge University Press.

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Published

2025-05-26

How to Cite

Paigamov Bakhtiyor Zhamolidddinovich. (2025). The Concept Of "Socialist Realism" As A Universal Method. European International Journal of Multidisciplinary Research and Management Studies, 5(05), 113–114. https://doi.org/10.55640/eijmrms-05-05-24

Issue

Vol. 5 No. 05 (2025): Volume - V Issue - V

Section

Articles

License

Copyright (c) 2025 Paigamov Bakhtiyor Zhamolidddinovich

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Individual articles are published Open Access under the Creative Commons Licence: CC-BY 4.0.